The Virtue Of Conservatism

Here and there in the United States are small pockets of settlers whose style of speech has never changed

from the Elizabethan: "Give me thy cloak, prithee", we are told, is a commonplace turn of phrase for them. It

may be that their English is purer than ours in this age when philologists and grammarians consider that

everything is going downhill.

Perhaps there are advantages in being out of the main stream. Conservatism can be given its head; innovation

is unlikely to be popular; the traditional stream will probably remain undefiled.

There are disadvantages too. If the main stream changes course one finds oneself, instead of being an integral

part of a massive whole, reduced to the dimensions of an insignificant trickle: lacking the support, the

comfort and the discipline of the larger environment one may lose in strength as quickly as in importance.

The links which bind the Grand Lodge of New Zealand to the United Grand Lodge of England are the

strongest that bind us to any sovereign body: it may be that they partake of the nature of apron strings which

we have only imperfectly cast off; hut it may be rather that we acknowledge gladly that respect is due from

us to the Grand Lodge from which we primarily came; and that we look often to her wisdom and experience

in matters of practice and precedent, for we feel that that is the safe and sensible thing to do.

We remain, in consequence, in very many ways like the United Grand Lodge. What she has discountenanced

as innovation we find we have usually discountenanced too. Where, carefully and tentatively, she has made a

small advance in a particular direction we find that the advance our own Grand Lodge has made is likely to

have been no bigger, and is almost certain to have gone in the same direction.

Other Grand Lodges overseas have in some cases made quite considerable changes in their practices: in such

matters as recognising some form of quasi-Masonry for women, even for boys and for girls; in meeting out

of doors; in restoring such usages as street processions in regalia to attend the laying with Masonic honours

of cornerstones, some of them of Masonic buildings and some of secular buildings.

As time goes by more and more of us travel. It is brought home to us that there is no sovereign overall

Masonic body, that each Grand Lodge is autonomous, that there are only a few criteria that orthodox Grand

Lodges apply to determine whether or not they should extend recognition to other bodies calling themselves

Grand Lodges.

It is important that these few things be recognised as the important elements they are. Most of them are

usually elicited by formal proof, but even in proof procedures there are differences and variations. In some

jurisdictions the first and second degrees are reversed: in some they letter or halve what we give at length,

and give at length what we have been taught to communicate more cautiously. In some cases it is not a

matter of retiring with some wise and sympathetic old P.M., but of being put through one's paces by

everyone who can lay claim to a coloured collar: it is searching. thorough and at times even embarrassing.

The pieces of information sought by the proving officer, however elicited or altered in order, are still

important elements in our Masonry, and ought to be recognised as such. The essential necessity for a belief

in a GAOTU and the absolute refusal to exact any statement of definition of such a G.A.; so that Jew and

Christian, Parsee and Hindu can meet around the same altar and practise their common Masonry is another

factor common to all recognised Grand Lodges; none of them will compromise on these points, because they

are part of the central core of the Craft.

We probably cannot say literally that Freemasonry is very universally or evenly spread over the surface of

today's trouble globe, nor that the sun is always at its meridian with respect to Freemasonry. What we can

say is that when we leave New Zealand we ought to find it comparatively easy to find out in what company

we can carry out our Masonic observances and in what company we can not: we can arm ourselves with

certificates and due receipts and brush up the answers to the questions which are likely to be put to us: if we

do these things we may have the incomparable pleasure of going to a strange town where we know no one,

of entering a building where there are many men and finding ourselves welcomed as brothers, without

reservation and with the utmost cordiality. It is a privilege that those who have exercised it have come to

value very highly, and it provides one of the great arguments for the thoughtful Freemason to see not only

that he is able to make himself known and to prove himself, but also that the Grand Lodge to which he

adheres does not stray from the orthodox and the accepted.

  

Leaders And Critics

It is a curious thing, but true, that every man and woman who lifts his or her heart above the level of the

crowd becomes a target for adverse criticism as well as praise. The fact appears in every group action from

national affairs down to the smallest sewing circle. The effects of it will be found in the political arena, in

professional, educational, scientific, religious, fraternal and commercial organisations. In all of these, people

crave leadership, and yet some are always ready to criticise and condemn that leadership when it appears.

Leadership is a vital necessity and one of its penalties is prominence. The fact that in some isolated cases

ambition for power or prominence dominates an individual does not nullify the greater fact that the majority

endure the prominence in order to get something beneficial accomplished. Nor does it alter the fact that in

most cases leadership and prominence involve sacrifice and interference with the leader's regular schedule of

living.

Perhaps it is the certainty that sacrifice will be required and interference suffered that makes the finding of

real leaders so difficult. But to that should be added the equal certainty they will be criticised, whoever they

are. Great leaders, of course, anticipate criticism and are prepared to discount it. But even they at times are

troubled by the frequent injustices and thoughtlessness of fault-finding.

It was Disraeli, one of England's greatest prime ministers, who said: "It is much easier to be critical than to

be correct." At another time when he was being much annoyed he said: "You know who the critics are?—the

men who have failed." And again, when disturbed by grumblings he said: "Little things affect little minds."

Another great leader of his time who also was often abused, said: "Of all the cants which are canted in the

canting world, though the cant of hypocrits may be the worst, the cant of criticism is the most tormenting."

— The Masonic Journal of South Africa

  

CHANGE OF ADDRESS

Journals bearing the following addresses have been returned to this office marked "Gone, No Address".

Should any Lodge Secretary or Brother know the present address of any of these Brethren, we would be

pleased to receive their advices.

Bro. D. S. Black, late of Park Rd., Auckland.

J. R. Campbell, O.R.D., Oamaru.

J. M. Clark, 76 Godden Cres., Auckland, E.1.

J. N. Garth, 62 Mungavin Ave., Porirua.

C. B. Hoddinott. 38 Guthrie St., Lower Hutt.

T. W. J. Matthews, Massey St., Moerewa.

W. F. Patton, 4 Craig Cres., Morrinsville.

  

WANTED

The following volumes of A.Q.C. to complete my set: Vols. 1 to 8, 10, 19, 50, 52, 53 and 54. Would take all

or any. J. P. GLENIE, P.O. Box 1569, Auckland.

  

Extra Instruction

The necessity that every Mason know and hand down to his successors the esoteric meanings of the work

cannot be questioned. No instruction can be given, beyond what the ritual contains, during degree work. It

behoves us therefore to use every opportunity to further enlighten new members by instruction over and

above that contained in the ritual. The whole system being allegorical, the hidden meanings must be revealed

and the symbols expanded beyond that which the ritual indicates. Let well-informed Brethren pass on by

talks and lectures so that new members and seekers may not be left in the dark. The whole system of

morality should be revealed by means of extra instruction.

  

Banners of all kinds available from

Regalia House

  

The Lodge, Its Music And Its Organist

Part 1—The Ceremony

First of all let me refer you to an extract from our Ritual Book regarding the Conduct of Ceremonies (page

47) which reads: "Instrumental music is a desirable addition to our ceremonies, but not an essential part

thereof. When the services of a skilful Brother are not available, it is better that our ceremonies be conducted

without music than with music that falls below the accepted standard of execution." (end quote). This

reference is to remind Masters of Lodges that as our ceremonies were originally designed to function without

any musical accompaniment, should the odd occasion arise when no Organist is available, the evening's

working will not be ruined. Nevertheless there can be no denying that the addition of suitable music will

enhance the ceremony, and any steps that can be taken to provide suitable music should he worthy of note.

The Master with the co-operation of his Preceptor, can prepare for such an emergency in a few simple ways.

The first step is to ensure that the Brethren, at least those aspiring to office and who, in consequence, should

be attending the Lodges of Rehearsal, do know the words of the Odes which are to be sung. So many of us

know the first and last lines and the S.M.I.B. only, and the rest of the words are unintelligible, particularly so

to the Candidate. On the night of his Installation, the Master, when being presented with a copy of the

bylaws of his Lodge, is strongly recommended to ensure that the Brethren of his Lodge are fully acquainted

with the bylaws. It might well be a good thing were he also exhorted to make certain that his Brethren learn

the words of the Odes that may be used during the ceremonies.

The second step is to ensure that you have a Brother (or preferably several Brethren) willing to lead the

singing. Such singers are in every Lodge as has been so amply demonstrated by the membership of Choirs

which have assembled for Annual Communication Meetings held in recent years. Only a handful are known

soloists, the rest being ordinary members of their Lodges interested in leading the singing portion of the

Installation Ceremony. These are the Brethren on whom you can rely to give a lead to the others. Just one

such leader will give a tremendous impetus to the singing.

The third step is to arrange for a Brother to be at the organ to play the one note necessary to start off the

singing. It is only because this essential leading note is missing that unaccompanied singing fails to go with a

swing. Even experienced choirs require considerable training to start on the right note and in the right key

without needing to hear that one leading or guiding note, so the Brethren of your Lodge must not be written

off as "poor singers" or "not musical" or "just hopeless" because they are not able to do so. Indeed most

Church Organists find it necessary to use a lead note for congregational singing. So all you require is a

Brother to play that one important note at the appropriate time. This is not a difficult task. Even, and most

unlikely if a Brother who reads music cannot be found, that is no drawback, as the note required for the start

of the Ode can be marked on the organ in some way, either on the ivory key or on the wood surround. Only

one stop needs to be used—a diapason is suggested as there is one of these on most organs—and of course

the pedals operated.

With these three points mastered, there is no excuse for the omission of singing from our ceremonies, and

with the words of the Odes memorised, then unaccompanied singing can be impressive. Without an Organist

the ceremony will not have incidental music and this is a loss. But such a loss only tends to throw more

responsibility upon the Deacons who play a most important part in creating and sustaining a dignified

atmosphere to the movements within the Lodge room. A custom practised in some Lodges during the

working of the Third degree is interesting and most effective too. During that part of the ceremony when an

extract from the "Dead March" is usually played, the Brethren tap the floor with their feet in a suitable

rhythm, keeping time with the slow processional march. As a substitute for the atmosphere created by the

playing of such a march, this is most effective. It is certainly to be commended above a poor rendering by an

inefficient Organist. It is also preferable to having the atmosphere of that crucial and dramatic part of the

ceremony destroyed through the Organist having to illuminate his music.

To Masters, Wardens and Deacons of Lodges, it will not be out of place to remind you that Organists are

Officers of the Lodge. As such they are entitled to your co-operation and also your courtesy. Acknowledging

the fact that it is either nervousness or thoughtlessness which causes the offenders to be rude to the Organist,

nevertheless whatever the cause, the result has the same irritating effect on a skilful music Brother. Far too

frequently does a Master bring down the Gavel and stop the music dead, thus shattering any pleasant

association the music had with that part of the ceremony. Whereas, had the Master been more skilful in his

work, he would have realised that the Organist was timing his ending to coincide with the finish of the

perambulation. A lot more understanding and agreement is required between the Organist and those whom

he is endeavouring to assist. If your Organist is not sufficiently skilled in timing his endings to match those

of the perambulations, then the Preceptor should request him to attend rehearsals so that these movements

can be co-ordinated. Just as Organists must learn to control the length of the music being played, so the other

Officers must learn to appreciate that a wait of two or three seconds to permit the music to be "closed off", is

not ruinous to the ceremony. You can be sure that a short wait definitely does not have as disturbing an effect

as that attained by a peremptory stopping of both music and perambulation with a loud bang of the gavel,

which only emphasises the incident. Deacons, too, are prone to offend. Frequently their opening words are

not heard because they are so keen to get on with their own part of the ceremony that they just cannot wait

for the music to finish before starting to say their piece. Keep your Organist within due bounds by all means,

but give him the consideration to which his office entitles him. He is just as entitled to be heard in full as are

the officers who render the other parts of the ceremonies.

  

"Installing Masters Guide– in stock at

Regalia House

As regards music generally in the Lodge room and in the Refectory, some Districts appear to have suffered a

greater decline than those in other parts of the country. Perhaps your own Lodge still carries out the practice

of distributing cards with the words of the Odes printed thereon. A glance at those cards often reveals the

glory of past years, when Odes for many parts of the ceremonies were regularly sung. It is to be regretted

that the musical part of the ceremonies as now worked in some Lodges comprises only the singing of the "So

Mote It Be", the "Let Not Honour and Truth" and the closing "Fidelity". What a loss the omission of

appropriate Odes is to a ceremony. If your Lodge has a soloist amongst its members, why not use his talents

to render some of the Odes? In that way, not only do you enhance the work of the evening, but you capture

the interest of your Brother the soloist. Lodges overseas, and particularly some of those in U.S.A., make

extensive use of Brethren for solos, duets, trios, quartettes and even small choirs, going so far as to have an

invested office of Choirmaster. We really do not have any less musical talent today than, say, 25 years ago,

so it is difficult to ascertain the real cause for the decline of the use of music in our present day ceremonies.

This decline has also affected the standard of our Refectory proceedings. Before the Second World War,

there were many Lodges with their own orchestra or choir or concert party. This would be quite the

exception today, more's the pity. In some Districts it has become the custom to allocate to the Junior Warden

the complete charge of the Refectory. Where such is the case, we find that according to the disposition and or

energy of that Officer, the Refectory proceedings are either a feast or a famine. Too often the latter as regards

entertainment. It certainly seems there is room for some more stable way of controlling these "desirable but

not essential" portions of our Lodge evenings. Do you realise that it could well have quite an effect on the

attendance at Lodge? So many times, in so many Lodges have Organists been told that the ceremony in the

Lodge room would have been "dull" without music. (Not always a fair comment.) So if you add a dull

Refectory to an already music-less ceremony, you may be creating the very impression that the whole outfit

is rather dull. The Master of the Lodge has been exhorted to "impress upon the Brethren the dignity and high

value of Freemasonry".

From the defeatist attitude adopted towards this problem of providing some entertainment in the Refectory, it

would appear that some aspiring Officers have not exactly appreciated the high value of the Craft. In the

major cities there can be no excuse for failure to provide even one solitary item. Surely if the Officer

responsible has no idea of how to go about this part of his duty, then he should bestir himself enough to

delegate that duty to some other Brother or committee of Brethren to act for him. It is this indolence which is

destroying the musical side of Lodge work, both ceremony and refectory. Of course there are difficulties for

the Lodges in the remoter parts of the country. They have not the variety of talent upon which to call. For

them a few ideas may be welcome.

Although Lodges of Research are established mainly for work connected with our ceremonies, nevertheless

those in need of other Masonic assistance connected with lectures will not find an appeal to them fall on deaf

ears. The use of a tape recorder is quite permissible in the Refectory, and some interesting talks have already

been recorded by some of the Research Lodges. It is not beyond their means to record talks that would be of

especial entertainment value to Masonic Brethren. We number amongst our ranks Brethren who have been to

the Poles, travelled through darkest Africa, been behind the Iron Curtain, visited Buckingham Palace, the

White House, the Holy Land or attended the recent celebrations of The United Grand Lodge of England.

Such Brethren, and others too numerous to detail, are very willing to pass on their experiences in the

interests of entertaining their fellow Masons. Perhaps this is a service the Research Lodges might be

prepared to organise. It would solve many a most pressing problem for Lodges as well as extending the

useful scope of their work. Also the holding of a "Record Playing" evening is always a success, particularly

so if a really good 'gram is available for that purpose. A "Demonstration" evening attracts interest and you

can be surprised at what will turn up in an "unusual hobbies" evening, These latter ideas have nothing to do

with the musical side of our Masonic life, but it is well to remember that music is not the only means of

entertaining the Brethren when in the Refectory. This being so effectively negatives the plea that because a

first class musician is not readily available, then nothing can be done to entertain those present.

Now if your Lodge has an Organist or perhaps a Brother who "plays a bit" and would like to become an

Organist, then make sure that a copy of this issue of the "Craftsman" reaches him. Even more important the

next issue too, because that one will contain an article of particular interest to all Organists.

—E. J. SPEIR, P.G.Org.

  

Part 2—The Organist

In some respects the Organist can be pardoned if he displays slight symptoms of having an ego, because in

most Lodges he is a "one of" officer, and hard to replace even on a temporary basis. It is probably the

knowledge that he has no understudy which should, and in practice generally does, instill in an Organist a

sense of extra responsibility towards his office. The fact is, he can make or mar a ceremony quite

independently of the other Officers of the Lodge, no matter how efficient they may be in their ritual work.

This is a sobering thought Brother Organists, and it behoves you, by the regularity and decorum of your own

musical behaviour, to guard well the privileges of your office.

Let me first of all remind you that, apart from a processional march at the start and close of the Lodge and

also the accompaniment of the Odes, almost all the rest of your music is "background" music. Background

music should be conspicuous only by its absence, and to achieve this effect is an art which requires both

concentration and practice. As a general rule, when there is a definite limit to the number of bars that can be

played, it is unwise to commence playing at a place in the music where the tune is immediately recognisable,

Much better to start so that it is the last two or three bars which establishes recognition of the piece being

played. This is showmanship, but even so, the ceremony and the Organist's endeavours are enhanced by a

judicious application of the art.

As an example let us take a perambulation from the W. to the pedestal in the E. In an average suburban

Lodge room that movement would involve about 21 paces. As many Organists are unable to improvise their

music, then the playing of extracts from suitable hymn tunes is quite an accepted practice. Using the hymn

tune "Tallis Canon" as being suitable music, and assume that the Organist starts at the beginning of the piece.

In such a case, before he has played many bars of the music, most of the Brethren will, consciously or

otherwise, have the words of the hymn "Glory to The My God This Night", etc., running through their

minds. At the end of 21 paces, which would be after seven bars of that particular tune, those who were

following the words and tune would find themselves cut off in the middle of a phrase. That has an upsetting

tendency and the background music has accomplished the very reverse of what was intended. It has

unfavourably drawn attention to itself.

To avoid this unfortunate result, the Organist should start the required number of bars from the end of the

hymn tune. In the case of "Tallis Canon" this would also be seven bars. As there is always some slight delay

before the Deacons get the candidate mobile, in watching the start of the perambulation, it is unlikely that the

Brethren will even notice that the music has started in the middle of a phrase. By the time the Deacons have

the movement well in hand, the Brethren are realising the music is faintly familiar. By the time the

perambulation is ending, the Brethren have recognised the tune, and such a co-ordinated finish makes all

parties happy. That is an atmosphere which the Organist should always strive for in his playing of

"background" or "incidental" music. There are so many ideas that can be given to Organists to intrigue,

soothe, alert or even on occasion amuse the audience of Brethren, that it is not possible to include them in

one short article.

There is one idea that should be considered by Organists who take their office seriously. This is to learn the

"stop-start" movements in the various degrees so thoroughly that the Deacons can rely on the Organist to

cover any errors they may make. By this is meant such parts of the ceremonies that have slight differences

only in various degree workings. A typical example is the halting of the candidate in the NW to permit

attention to the fact of being properly prepared. The halt in the second degree being on a different circuit to

the former degree, tends to confuse the Deacons. If the music is obviously ending, then the Deacons would

realise they must halt too; if the music shows no indication of stopping, they know to continue.

After many years of Masonic playing, I can state positively that this is a very worth-while goal at which to

aim. Many is the time I have been gratified when Officers have come to me after a ceremony and expressed

their thanks for my having covered up—or even prevented—a potential error. The Organist is one of the few

in the Lodge Room who can have the ritual book open during the ceremony, and he should use that

opportunity to help improve the standard of work of the Lodge. All this of course with the consent of the

Lodge Preceptor, but most of those harrassed Officers will agree that it is better to have such a service and

not require it, than to need it and not have it available. Some Lodges use their Organist as the official

"prompt" for all Officers, and this has much to commend it too, for the Organist must follow all parts of the

ceremony carefully to establish his own many cues.

  

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Although in the ritual of the Craft degrees the Organist has little opportunity to play for any worthwhile

period, should he seek advancement to the degree of The Holy Royal Arch, or be invited to join any of the

Christian Orders, then his musical abilities are given a far more liberal reign. For the purposes of this article,

though, we will not proceed any further than the degrees of Craft Masonry. In the E.A. degree in particular,

the music played for the perambulations is of considerable importance to the candidate. Remember he is, at

first, somewhat handicapped and must rely heavily on his conductor. If the music played is given a slow,

steady but definite beat, the Deacons will find it much easier to control the movements of the candidates. The

rhythm seems to give confidence. Much better not to play at all than to play out of time with those doing the

perambulation. The Organist can and should facilitate the work by imposing his will as regards the speed and

start-stop parts of the movements. As the Organist of the Lodge you are "the Leader of the Band", and

whoever heard of a Bandmaster who waited until his Band had chosen the rhythm and speed which it wished

to play before wielding his baton to conduct. Remember, you set the pace: those who are doing the

perambulations will be relieved to follow your lead. Much the same applies to the music for the other

ceremonies, except that, at a certain part in the MM degree, the Organist will be handicapped because he

should be unable to read his music. But why spoil the effect of this dramatic part of the ceremony by

requiring illumination? The other Officers must memorise their parts, and there is no excuse for the Organist

not to do the same for the music required at this crucial part of that ceremony. How fortunate is Brother

Organist compared with his other Officers. They have something different to say, and from memory, in each

degree. The Organist can have both his ritual and music book open for all but one short period in the MM

degree. Surely it is not asking too much of you to learn to play the Ode (if sung in your Lodge) and the

solemn processional march without requiring to have a light shining on your music. You can learn to play

that small part from memory, and by protesting, you are only making excuses for your own indolence and

lack of will-power. It is a goal at which every Organist should aim, and be assured your Lodge will

appreciate your success in this field.

Now a few words about the Odes to be sung. Again remember that you lead the Brethren, not the reverse.

Sometimes it is quite hard work, especially at an Installation Meeting, dragging the singing along. But you

are there to lead that singing, so please do it. If necessary, try practising the Odes using a metronome so that

you thoroughly indoctrinate yourself with the speed at- which the tunes should be played. Much better a little

too fast than far too slow. The importance of playing a "lead" note for starting has been emphasised in the

earlier paper, it is a must where you have singers of indifferent musical ability.

Finally we reach the Refectory where usually the Organist now becomes the accompanist. This article can do

nothing that will ease the burden of accompanying the soloist, at sight, except to offer mutual sympathy.

Sooner or later we all get caught with the apparently simple piece in (say) four/four time and in naturals,

until you turn the page and discover the rhythm is now nine/eight with the key signature five sharps. Just be

careful that your remarks are not heard above the singer. The music for the toasts, if musical honours are the

custom in your Lodge, is very much your concern. The first toast, "The Loyal Toast—The Queen and The

Craft", should always be preceded by the singing of the National Anthem. This is the only toast where the

musical honour is sung before the toast is drunk. For all other toasts, the toast is first honoured by drinking

and then the musical honour follows. Also, by request of Her Majesty the Queen, the National Anthem

should be bright music and not sung slowly like a solemn dirge. The next toast should be "M.W. The Grand

Master" and does not necessarily require honours unless the Grand Master is actually in attendance. Lodges

are at liberty to select suitable honours for that toast, and if your Lodge is accustomed to giving Refectory

Fires, then the correct honour is three times 11. Where musical honours are the normal custom of the

Refectory, why depart from that custom? Truly it is a sorry sight to see Brethren floundering with the three

times 11 Fire, not really having the slightest idea of what they are supposed to be doing. Why not sing one

verse of the New Zealand National Hymn, "God of Nations at Thy Feet", etc.? It is most appropriate, being

the highest local honour we can offer. The only answer that can be given to any suggestion that the Brethren

may not know the words is simply "shame on them". The Lodge can easily attend to that deficiency.

However, it is also appropriate to use the musical honour, "Join All in Harmony", etc. Never use "Worthy

Freemasons All" or "Prosper the Man", etc. for that toast or for any other toast which is directed to one

person alone; the wording is unsuitable.

Most toasts present no difficulty in selection of musical honours, but if in doubt, the "Join All in Harmony"

will always be acceptable. Such music as "For He's a Jolly Good Fellow" is not acceptable during a

Refectory held on a normal Lodge evening, although it is quite suitable for social functions such as a ladies'

night. A reference to the vexed question of what music is permissible when the Lodge is in mourning by

direction of Grand Lodge. For the ceremony in the Lodge room itself, there is no need to depart from your

usual practices. In the Refectory, the only permissible music is the National Anthem. If your Lodge custom

is to sing the Grace, then on such an occasion it is preferable to have the Chaplain recite it.

Finally, Brother Organists, you should all adopt the Scout motto of "Be Prepared". Both in the Lodge room

and in the Refectory, your fingers should never be far away from the keyboard, but always near enough for a

prompt start, be it a perambulation or a toast. Your performance at the keyboard is all important, and in an

unobtrusive manner you can have considerable influence over the activities of your Lodge.

—E. J. SPEIR, P.G.Org.

+.

  

A Rich Inheritance

Freemasonry has its roots in the distant past. Its teachings and ideals are wholly ethical, educational and

spiritual, which through the ages have been consolidated into a system of idealogy and a way of life which is

one of the richest inheritances of the human race, because its influence flows through the life and habits of

all men of goodwill.

This idea is carved into the granite over the entrance to the House of the Temple in Washington:

"Freemasonry builds its temples in the hearts of men and among nations."

The basic concept of Freemasonry is that we are living in a spiritual universe over which the Great Architect

presides, whom we should worship and adore. The next most important concept of our Fraternity is the

dignity of the individual, because we were created in God's image, and have something of His divinity in us.

We therefore believe that men have great capability for improvement and progress if they can live in an

atmosphere of freedom to think, to plan and to co-operate for their mutual benefit.

Freedom being a prerequisite to human progress, Masons have always been in the front of those who have

advocated and fought for the establishment of governments which would protect their citizens in the exercise

of their God-given liberties, live their own lives and carve their destinies as best serves them and their talent,

being mindful of the equivalent rights of their neighbours.

As we Masons of this generation are honouring those who have kept the faith alive, may we so live and act

in our day and time that our descendants may likewise have occasion to praise and honour us for our

devotion and partiotism which aided in bringing them peace and happiness.

—The Masonic Journal of South Africa

AUCKLAND

MASONIC ALMONERS' ASSOCIATION, AUCKLAND DISTRICT

AGED MASONS' CHRISTMAS PARTY

Blue sky and sunshine outside, smiling faces in the refectory, St. Benedicts Street, have become the rule for

this annual function and 4th December this year was no exception. Judging from the early hour at which the

300 guests began to arrive for the luncheon, it seemed that many could not eat breakfast for fear of being

late.

The Association Chairman, W. Bro. G. F. Betham, P.G.B.B., presided and called on the Chaplain, Rt. W.

Bro. John Dick, P.G.W., to ask a blessing. Special guests included His Worship the Mayor, Bro. Dr R. G.

McElroy, the Grand Master, Most W. Bro. John A. Redwood and Mrs Redwood, Past Grand Master, Most

W. Bro. S. Hawker and Mrs Hawker, the Provincial Grand Master, Rt. W. Bro. Leslie A. Lincoln and Mrs

Lincoln, V.W. Bro. Derek A. Thorburn, President of the Board of General Purposes, V.W. Bro. Arthur R.

White, President of the Board of Benevolence, Rt. W. Bro. J. G. Erne Adams, District Grand Master, Grand

Lodge of Scotland, and Rt. W. Bro. R. F. Newton, Grand Secretary, Grand Lodge of England. An apology

was received from the Provincial Grand Master, Grand Lodge of Ireland.

The Grand Master paid special tribute to the Association's Patron, Most W. Bro. Wilfrid W. Wright and

congratulated him on being appointed the first Grand Almoner. Short addresses were also delivered by His

Worship the Mayor, by Most W. Bro. Hawker, P.G.M., and by Rt. W. Bro. Lincoln, Provl. G.M.

Full justice was done to an attractive lunch prepared by a willing band of ladies who had been busy from a

very early hour. The guests then settled down to enjoy a bright and varied musical programme arranged by

W. Bro. Eric J. Speir, Grand Organist. The action of the artists in giving freely of their time to entertain the

"old hands" is warmly appreciated.

The outsized Christmas cake, perfect inside and out, was again this year made and donated by Mrs Farmer,

wife of Bro. Farmer. The ceremony of cutting was carried out by the oldest Mason present, W. Bro. John

Cowley, Past Grand Organist, of the Ara Lodge No. 1, aged 94.

A farewell presentation on behalf of the Almoners was made to Mrs George Archer by Most W. Bro. Wilfrid

W. Wright, Past Pro. G.M., Patron of the Association. Bro. George Archer retires shortly from the position of

Custodian of the Masonic Building. Most W. Bro. Wright spoke of the untiring assistance rendered over the

years by Bro. and Mrs Archer to the Almoners, particularly in the extensive preparations for the annual

Christmas luncheon to aged Masons. In returning thanks on behalf of his wife, Bro. Archer assured the

gathering that the Almoners had not seen the last of "The Archers".

Bro. Chairman expressed thanks to all who had assisted in making the function such a success. Proceedings

closed with "Auld Lang Syne" and a benediction pronounced by Rt. W. Bro. Dick.

CANTERBURY

The year 1967 is now passed and we look back with pleasure on the work that has been carried out by the

Provincial Grand Lodge of Canterbury Almoners' Association with the culmination of Christmas parties for

the aged and infirm Brethren, both in Timaru and Christchurch.

The party at Timaru was held in the Refectory of the Masonic Hall, Bank Street, on Saturday, November 11,

1967. W. Bro. S. A. Jordan, our South Canterbury representative was responsible for arranging this function

and among those present were M.W. Bro. J. S. Hawker, P.G.M., Rt. W. Bro. J. W. Vivian, Prov. G.M., V,W.

Bro. W. G. King, G.C., W. Bro. J. M. Forbes, Pray. G.A., W. Bro. W. A. Glading, P. Prov. G.A., the

Association's treasurer, and Bro. B. Carpinter, the retiring president of the Association. The assembled

Brethren were addressed by M.W. Bro. Hawker, Rt. W. Bro. Vivian and Bro. Carpinter, all expressing their

pleasure of being present. The Association is most grateful to all who entertained the gathering and helped at

the tables.

On Saturday afternoon of December 9th the party was held for the Christchurch Brethren in the Refectory,

Masonic Hall, Gloucester Street, and a record attendance of over 200 were present. The proceedings were

opened by M.W. Bro. A. H. Cavell, P.G.M., who said "that he always looked forward to the party and to

meeting old friends he has made over the years. He was very pleased to see such a large gathering and hoped

that they would have an enjoyable time." The Association's chairman, W. Bro. D. E. Wood, P. Prov. G.A.,

then asked the newly appointed president, W. Bro. Leslie Mably, P. Prov. G.A., to address the Brethren.

It was very pleasing to see such a large number of Grand Lodge and District Lodge Officers among us,

which included, apart from M.W. Bro. Cavell, M.W. Bro. J. S. Hawker, P.G.M., Rt. W. Bro. Alan Fisher, P.

Dep. G.M., Rt. W. Bro. J. W. Vivian, P.G.M., V.W. Bro. I Tie, P. Asst. P.G.M., Rt. W. Bro. D. A. Munro,

D.G.M., Rt. W. Bro. Dr G. Jobberns, P.D.G.M., W. Bro. J. Wallace, P.D.G.S., and W. Bro. J. Kirk, our Mid

Canterbury representative.

Rt. W. Bro. Vivian also addressed the Brethren and thanked the Association for the work they are doing, not

only in the Canterbury District but also further afield. He hoped that the assembled Brethren would have a

very pleasant time and was pleased to see such a large gathering.

W. Bro. Trevor Ritchie who acted as M.C. announced the first item on the programme, a banjo duet by Anita

Reeves and Alan Asquith accompanied on the piano by Bro. Fred Vincent. Among the numbers played was

an Old Time Medley and the Brethren were asked to join in the choruses and must have brought back

memories to those present. W. Bro. Ritchie apart from being the M.C. sang some very fine numbers and was

accompanied by Ivor Weir (a blind pianist who lost his sight in 1935 due to the first World War). Ivor was

also interviewed by Bro. Ritchie and gave some very interesting experiences that he had both in America and

England meeting well known artists. At the conclusion of the interview some very nice vocal duets were

given by Bro. Ritchie and Ivor, the latter playing the accompaniment. This item brought loud applause and

finally some further banjo duets to complete the entertainment. It was unanimously agreed that it was the

best to date.

After Grace had been said by M.W. Bro. Hawker, tea was served, at the conclusion of which many Brethren

left the tables and visited Brethren in other parts of the hall and chatted about old times, etc. While the tea

was in progress Bro. Vincent played several numbers on the piano. Our thanks to him and to the other

entertainers.

About 4 p.m. Brethren were ready to leave and those Brethren who had to be taken hack to their homes were

well looked after by the Brethren who had cars and our thanks go to them. It was nice to see two Brethren

from as far away as Temuka—one being the Secretary of the Winchester Lodge, W. Bro. Cecil G. Ellis.

Our grateful thanks to all those ladies and Brethren who helped with the tables and in the kitchen. To Bro. J.

O. Taylor for his help to the Association in supplying pot plants for the stage each year and lastly to Bro.

Arthur Wilson, the Masonic Hall caretaker and his wife for their untiring efforts in helping with the

Christmas parties each year and as they will be retiring in March next, their services will be greatly missed

and our Association wish them good health and every happiness for the future.

—H.G.R.

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A MASONIC FAMILY AFFAIR

The November meeting of Cheviot Lodge was quite unique and the Past Masters gave a very fine rendering

of the 3rd Degree. It was unique in this respect there being several family connections. First in the early part

Bros. Robert and Donald Sloss, two Brothers were presented with their M.M.s Certificates. Then after the

P.M.s took over, we had Wor. Bro. M. F. A. Childs in the chair, his Father, V.W. Bro. F. D. C. Childs as

S.D. and his Uncle, Wor. Bro. P. F. Childs as J.W., then we had Wor. Bro. A. Williamson as D.C. and his

son as J.D., and then Wor. Bro. Wade as Organist with his son-in-law, Bro. Stewart as Candidate.

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SOUTHLAND

The Companions of Murihiku Rose Croix Chapter, No. 36, who attended the recent (Christmas) meeting

were favoured by the attendance of V. Ill. Bro. A. C. Ford, S.B.I.G. (N.Z. South) and V. Ill. Bro. J. W.

Drennan, P.S.G.I.G., together with the M.W.S. Officers and members of the Sphinx Chapter, No. 23,

Dunedin to whom was entrusted the ceremonial work of perfecting a candidate for the host Chapter.

It would be no exaggeration to say that a better meeting could not have been held elsewhere. The

exemplification of the degree of perfection by the visiting M.W.S. and members was simply outstanding and

was enjoyed by participants and spectators. Altogether there were 80 members in attendance which included

the M.W.S. and some members of Eastern Southland Chapter, No. 119.

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Rose Croix Eagles and Stars in stock at

Regalia House

In accordance with usual custom the refectory was lavishly decorated with red roses and it could easily be

seen that a great deal of work had been put into the centre piece, a huge red cross of roses edged with ferns.

Visitors from as far away as Christchurch were in attendance and joined in with the Christmas celebrations

of the Chapter which have become so well and favourably known throughout the South Island in particular.

Greetings were exchanged, carol singing was indulged in and a banquet worthy of the occasion was provided

by our stewards. It was truly a meeting that will be long remembered by all who were fortunate to be able to

attend.

Rt. W. Bro. J. H. Buckingham, P.G.M., Southland, made a couple of official visits to lodges in his province

just prior to the Christmas vacation and the attendance of his G.L. Officers was most encouraging,

particularly as it was so near the commencement of the holidays and so many were extremely busy at that

time. Nevertheless, with the same loyalty as displayed throughout the year, they turned out in large numbers

which drew forth from the Prov. G.M. a few words of well deserved praise when he was addressing brethren

at the Christmas meeting of Lodge St. John, No. 94. And what an enjoyable evening that proved to be. The

ceremonial work was in the hands of the P.M.'s of the lodge and W. Bro. John Watson, who was assisted by

an excellent team, well chosen for their respective portions of the ceremony.

The usual "haggis" was a feature of the refectory proceedings when, after being piped in, as is understood to

be the usual custom, was addressed by W. Bro. John Forrester, a "Scot" through and through who was well

accustomed to the task, speaking in a language only a "Scot" could understand.

It was another great night for Southland Freemasons who attended from afar and in large numbers. They

returned to their respective homes vowing that they would be back again next year. The other official visit of

the P.G.M. was to the Lodge of Remembrance, No. 318, when the attendance was good and the evening

most enjoyable.

There is much evidence of increasing attendances at lodge meetings in the Southland District of late which is

a most encouraging factor in the life of lodges in general, including R.A. Chapter, Cryptic Councils, Knight

Templars, and Princes Rose Croix Chapters. The recent meeting of the Southern Cross R.A. Chapter was

well attended, closely followed by an installation meeting of the Knight Templars which was also favoured

with an encouraging increase in attendance of members. Then there was a recent meeting of the Secret

Monitors which was exceptionally well attended. On this occasion the ladies accompanied their husbands

and while the members were in secret conclave the ladies were entertained in the nearby Senior Citizens'

Centre, recently built for the senior citizens of Southland. The ladies were well pleased to be allowed to

inspect the building and were very favourably impressed with what they saw. It is the most modern and

probably the best of its kind in New Zealand, having only been completed several months. Every aid for

elderly people has been included in the construction of the building and already a goodly number of

Freemasons and their wives are enjoying membership, which is open to all persons who are residents of

Southland and have attained the age of 60 years. Being so close to the Masonic Lodge it is certainly a great

asset so far as lodge members are concerned. On the other hand it is equally as close to the Basilica. As good

citizens should, we all join in together.